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Ungu - Sayang. Cherry Belle - Love Is You. Ayu Ting Ting - Sik Asik. Blink - Takut Jatuh Cinta. Billboard Song Chart. Justin Bieber - Boyfriend. Katy Perry - Part Of Me.

Adele - Rumour Has It. Flo Rida - Good Feeling. Jessie J - Domino. One Direction - One Thing. Kami juga tidak menyediakan file MP3 di server kami. Free Download lagu gratis Blink about you hanya untuk review lagu. Index Of Video Klip Lagu. Index Of Lyrics Lirik Lagu. If you want to search for songs by artist. Just enter the name Singer to search. As with all must-see serialized dramas, the guest stars are just as impressive as the main cast.

Enter Pharrell, reciting a mantra about the circular clutches of modern capitalism in the laconic tone he once used to brag about his Gandalf hat ; enter Zack de la Rocha, erstwhile Rage Against the Machine frontman, incendiary and conspiratorial about wanting to rip those systems apart.

Take direction at your own risk, but nobody can doubt their commitment. Rage can be a powerful force for good when focused, but taming it is often difficult. On one level, the song is about letting loose with the feelings you keep pent up inside. From there, the turns it takes are so quietly strange, and strangely moving, that any further discussion of its lyrics might require a spoiler alert.

Against a spare acoustic guitar backdrop, in his own increasingly fatherly baritone, Bill Callahan tells a faintly supernatural story of parents and children, life and death, and the profound closeness and distance that can coexist between people. A decade ago, the New Orleans native Jay Electronica enchanted with a series of cryptic dispatches, then vanished in a cloud of smoke and British tabloids.

This year saw the release of not only his long-lost debut—precipitated by a targeted leak—but also a replacement record, a restart of sorts, which paired him with Jay-Z. The latter, A Written Testimony , often grapples with the pressure that drove Electronica from the spotlight. Perreo, as a genre, dance, and movement, has always been about power. No man is a whole movement. Not since Fela Kuti has one artist blended the contradictions, agonies, and triumphs of the continent with so much muscle.

In , the 45th president all but ruined the word, but now with the end of his reign, pussy can spend the rest of the s reclaiming its identity. Doja Cat]. Porridge Radio frontwoman Dana Margolin sings as if her insides are aflame, delivering lines with nearly feral bravado. The music illustrates the Sisyphean task of feeling better: Each time it reaches some measure of calm, the noise comes roaring back.

The result feels slightly apocalyptic, weirdly funny, and right on time. Not even in Michigan, the current rap capital of darkly funny shit talking, will you find anyone thinking more unholy thoughts than Packman. Sada Baby]. Steady yet anxious congas, a gentle flute, and bright keys meld into an affectingly soulful plea for a kinder world.

The song is a groggy anthem for those days when counting the spots on your ceiling can feel like too much work. The moody bassline delivers a melody to curl up in and brood, while the uptempo beat towards the end is a reminder that even loneliness ends. The unrelenting drums are a perfect match for the field recordings of glacial melt that Owens sprinkles in for ambience and texture, her shuffling hi-hats pinging across the tundra. Thundercat has Dragon Ball Z tattoos all over his body.

On the track, the L. The goal is out of sight, the means absurd. With the touring industry stalled in , it seemed like every rapper on Earth tried to make up for the loss with their very own digital deluxe reissue, padding out recent albums with extra tracks.

For the most part, though, quality lacked. Only one artist made his album better with its deluxe edition: Lil Baby, who added a number of great songs to My Turn. Baby plays the elder statesman on the quietly menacing track, rapping more ferociously than usual while letting Dugg take the lead.

Take chances, live life, and dance as much as possible. Earl Sweatshirt and Maxo have both made their homes in the rain-blurred realm where raps feel like unspoken thoughts, where beats resemble humming machinery a block away—a world of smudged loops, two or three notes long, punctured by diaristic jottings that flash like lightning.

In another year, its layered guitar work and massive drums would have prompted massive pits and reckless stage dives at outdoor music festivals. Hopefully, for Dogleg, that future involves kids doing literal backflips into much bigger crowds.

All you can do is bask in the power of Flo Milli shit. She has a rare ability to connect the fragmented images passing by the window to what she feels inside: She shows us funnel clouds dropping from the sky, a slaughterhouse, and a shopping mall, and turns each into a signpost for her own confusion.

As the song builds, despair is tempered by a burst of energy that hints at survival. Pop music loves to memorialize doomed romances and terrible exes; the genre offers considerably less for failed friendships.

It serves as the grand finale to an especially intimate folk song, hinting at the virtuosic talent he often keeps behind the scenes. Set to walls of guitar and synth hooks, his lyrics contain a nod to the music that inspired him as a Black teenager interested in punk and indie, and to the unfulfilling jobs he worked for years to pay the bills before quitting to focus on performing and producing. Not any more than someone who manages to make jeans and a T-shirt look beautiful.

And it only takes her a minute. One thing nine months more or less alone reveals is whom to miss and whom to let go. Always ahead of his time, Shamir wrote an anthem for figuring this out before lockdown; lucky for us, he released it just as the loneliness really set in. In a year defined by dancing on your own, Shamir made it sound like self-actualization. The real magic is the winking humility of the image in the mirror: a woman criticized endlessly for being too rich and too gauche who knows that living well is still the best revenge.

So too will she. Like a gentle river, time passing slowly is better than it not passing at all. Lil Uzi Vert just beamed down in a pair of Balenciaga jeans that cost more than your biweekly paycheck before taxes , and he is ready to rap. But time and time again, his efforts to rendezvous with his digital paramour are interrupted by real-life obstacles, from locked hotel rooms to the awkwardness of online intimacy.

Over beachy guitar riffs and bouncy hand claps, singer-bassist Emily Kempf expresses a desire to detach herself from the limitations of relationships, painting separation as a bittersweet opportunity for growth. Megan Thee Stallion has got the hits—all of which are excellent on TikTok. Her first single since the album Good News , "Thot Shit," gets play on the app, just like "Savage" and "Body" before it.

Taking on her fierce persona Tina Snow in the song, she reclaims the term "thot" over an uptempo, bass-heavy banger. It's got everything that Meg's hotties love about her: sexually liberating lyrics that give a hair flip and fuck you to backlash she's gotten for being bold and suggestive, and uninhibited fun.

Allow yourself to get your hands on your knees and shake it. Even if life can feel pretty shitty at times, LA three-piece MUNA is here to remind you just how fun it can be with this indie pop gem. It's their first release as signees on Phoebe Bridgers ' label—even featuring a verse from the indie star herself—and a blissful, utterly addictive track about those sweet moments when you're with the one you love exchanging glances down the convenience store aisle, being out together until dawn that make life worth living.

How could you not smile hearing those lyrics as sweet as cherry chapstick over such an explosive chorus?! TikTok's been getting ready to the song ever since it was released, and can't get enough of how queer it is. Olivia Rodrigo seemed to come out of virtually nowhere in early , and immediately started breaking records with her debut single "Driver's License. Her follow-up, "Deja Vu" proved she was never going to be a one-hit-wonder, though, and is one of the best songs off her debut Sour.

The song is similarly all over the app, and shows how much of a pop wunderkind Rodrigo is. It's in the vulnerable details of her past relationship eating ice cream with one spoon and singing together like two obnoxious starry-eyed teens that heighten her mourning of, as she describes, seeing her ex recycle those same moments with another girl. It's transfixing, and no wonder her heart-on-her-sleeves lyrics have inspired some teary Toks.

Few artists have successfully grown out of TikTok quite like PinkPantheress. Sure, a lot of acts have songs that blow up on the app or design challenges to coincide with a release, but few are essentially products of the app and know how to game it like this year-old English recording artist.

The singer uploaded a handful of tracks to the app that went viral in early , and even ended up adapting her handle into her stage name. The wistful, glitchy bedroom pop song is produced by British producer Mura Masa and plays like a toxic, all-consuming day dream—her high, pixie-like voice detailing an obsession she can't get over.

As women have been objectified in rap for years, it's been a treat as more women rappers blow up and flip the script. On this brief, sexy song from New York City-based rapper Princess Nokia , the blunt recording artist iterates all of the boys she's crushing on, and what she'll do in order to get them under her spell.

It's like the soundtrack for swiping on dating apps—that is, if the app only showed hot, swipe-right-worthy options. And since everybody's got crushes that keep them up at night, the teens are playing this one over vids that highlight the fictional characters and celebrities that have stolen their hearts. Some songs just find a way to strike a cord with the youth. Like this one, for example, which was first released by LA surf rock band Surf Curse way back in and has been somewhat of an anthem for the band and the DIY scene surrounding them.

The song blew up on TikTok in , which helped the band land their first-ever major label deal and even a remix from Travis Barker. It makes sense that it eventually catapulted them to success and has been embraced by young listeners—you can't help but want to mosh to those repetitive guitars.

And what kid doesn't feel like a bit of a freak every once in a while? SZA has the power to get anyone in their feelings, TikTokkers included. If you haven't heard, pop punk is back, with Gen Z-ers convinced they were meant to grow up with Myspace, Warped Tour, and scene haircuts, thanks to the influence of Hayley Williams and Machine Gun Kelly's albums and a few of Olivia Rodrigo's tracks.